Chisel
As a newcomer joins fellow native laborers at a home construction site, he finds himself at a moral crossroad. He must decide whether to do the right thing or join a shadowy operation, grappling with the high cost of success in the pursuit of the American dream.
Written & Directed by Julissa Scopino
Official Selections
Chelsea Film Festival 2024
Semi-Finalist Flickers' Rhode Island International Film Festival 2024
New York Shorts International Film Festival 2024
Director's Statement
"PRESERVE YOUR INDIVIDUALITY"
“Chisel” is a film that calls into question the economic hierarchy of Latino laborers from the lower level of our society. It's a cautionary tale about the dangers of sacrificing what makes you an individual and losing your innocence in a corrupt world. A tale that observes labor exploitation, inequality, and the immigrant working experience. The film occupies space in untold narratives and slices open the workplace hierarchy.
In tradition with Vittorio De Sica (The Bicycle Thief) and Martin Scorsese (Gangs of New York), “Chisel” captures the nature of a desperate culture and reclaims what it means to be an underdog in the USA. If nothing else, “Chisel” is a blunt depiction of the current inflationary period of our time.
Amongst all the obstacles we faced and overcame, casting and world-building were the most challenging. I wanted a particular look and vibe which influenced the visuals and relationship dynamics between characters. There was a photo of the "Great Depression," and the essence really moved me.
In watching the film by F.W. Murnau, "The Last Laugh," - I was impacted by the leading character and his behavior towards his job and how his job was his identity. His pride, love, and self-respect are all nourished by his career, and when he loses his job - he loses his sense of self. Here is my mindset for the character of "Rafael".
Nico Bustamante, role of "Lucas", was a regular on the TV Series "Riverdale", in the film "Gotti" with John Travolta, and in Bel Canto co-starring with Julianne Moore.
Our wonderful DP, Samuel Romero, was the first person to embrace and fully understand what I wanted to accomplish. He immediately got the story. I had wild ideas of machinery and men, large groups of laborers, surging sounds of machinery, corruption, films like "Gangs of New York" to "Metropolis" to "The Bicycle Thief," large landscapes, art references from "Vida Americana," pictures of latino laborers working in fields and so much more. Sam got where I wanted to go. He immediately related "Chisel" to the work of his favorite photographer, Sebastiao Salgado. I'll forever be grateful for Sam and everything he brought to the project.
Together, with crew and talent, this was the most harmonious production I've ever worked on. An experience that has impacted me as a woman, a filmmaker, and a Latina. This film is an ode for hard workers like my parents, the newcomers to this country and for my beloved ancestors from Costa Rica. I'll always return to this memory with joy and happiness.
At the heart of “Chisel” is a simple story about rising the ladder and what we sacrifice to get there.